Bill Sapsis,
New Fellow
Joe Aldridge
The next new Fellow has been in the entertainment
business since 1972. In that time, he has run the gamut of technical
positions from company driver to technical director at a number
of institutions across the country. His work on Broadway includes
the original productions of Chorus Line and The
Runner Stumbles.
In 1981, he started his own company, and
since then the company has grown from a two-person operation
installing manual rigging systems to a multi-faceted installation/production/service
company with clients on four continents. His commitment to safety-related
issues in the entertainment business is well established
and his articles on rigging and safety issues can be found in
numerous entertainment industry publications while his lectures
can be heard all over the world. He recently organized and offered
the first North American Theater Engineering and Architecture
Conference, which was patterned after two previous Theatre
Engineering and Architecture Conferences held in the United
Kingdom.
"It
is the mission of the North American Theater Engineering and
Architecture Conference (NATEAC) to promote communication between
the architects, engineers, consultants, and manufacturers responsible
for designing and building new theatres and renovating existing
facilities in North America. It is also our goal to promote
a higher level of interaction between these professionals and
the end users of their facilities."
The conference was
so successful that it will be repeated in 2012. You also
can find him participating as vice president of the board of
directors for Theatre Circ, a children's theatre group in Philadelphia.
He is also on the advisory board of Stage Directions Magazine
as well as the New York City Technical College. He recently
joined the ranks of the published; his book, Heads! & Tales:
Uncle Bill’s Musings on the Theatrical Experience, was
published in 2007. It is a re-working of articles he has written
on the subject of safety in the theatre, an issue that he holds
near and dear to his heart. He dedicates his booths at LDI and
USITT to raising money for Behind the Scenes and for Broadway
Cares, two charitable organizations that benefit people in the
entertainment industry.
He has served as a Director at Large
on the USITT Board of Directors, representing our commercial
members’ interests. He has been active in programming
for many of the Commissions at USITT conferences. He has hosted
the annual “Stump the Rigger” session where members
can bring questions regarding safe rigging practices before
a panel of experts for discussion. He has been an avid sponsor
and supporter of the Student Tech Olympics competition at the
conferences, furnishing prizes and trophies as awards to the
winners. He is co-chairperson of the ESTA Technical Standards
Program Rigging Working Group, which is responsible for developing
and writing standards to be used in the entertainment industry.
Similarly, he, as a member of the ETCP Certification Council,
is a co-chair of the Rigging Skills Working Group and a Subject
Matter Expert in the development of the ETCP Rigger certifications.
His dedication to this industry and to his
profession is evident by his inability to say “no” to just about any cause
or worthwhile project. He is an ardent supporter of USITT, volunteering
to serve on committees, chair programming sessions, and spearheading
new initiatives. His work is an inspiration to young technicians
entering the profession. It is with great pleasure that I introduce
Bill Sapsis as the newest Fellow of USITT. Bill, could you join
me on the stage.
Bill Sapsis was one of four new Fellows
to be inducted in a ceremony at the 2009 Annual Conference in
Cincinnati, Ohio. The honorary designation is given to those
selected by vote of the current Fellows and is bestowed for
life upon those members who have made a truly outstanding contribution
to the theatre and the work of the Institute.
Click their names
to read the introductory remarks about the other new Fellows,
Laura Crow, Louis
Bradfield, and Carl Lefko.
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